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Good apartment design starts with the plan

Good apartment design starts with the plan

When people think about apartment buildings, they usually notice the architecture first. The façade or the materials, or how the building meets the street. But the thing that has the biggest impact on everyday life is often invisible from the outside – the floor plan.

The shape of a building determines how much sunlight reaches each apartment, whether fresh air can move through the home, and how much usable space people actually have. It influences whether you can throw open windows on opposite sides of the apartment on a warm afternoon, if shared spaces feel welcoming, and whether or not neighbours bump into each other often enough to become familiar faces.

As Australian cities continue to grow, these fundamentals matter more than ever. Good apartment design isn’t just about fitting more homes onto a site. It’s about creating homes people genuinely enjoy living in, year after year.

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The problem with the double-loaded corridor

The most common apartment layout is the double-loaded corridor.

It’s defined by a lift and stair core positioned in the middle of the building, with a long hallway stretching out in both directions and apartments lining either side.

Developers like the model because it’s efficient. More apartments fit within the building envelope and less floor area is given over to circulation.

The problem is that many apartments end up with windows on only one side, which means less natural ventilation and fewer opportunities for daylight to reach deeper into the home. The corridors themselves usually need artificial lighting and mechanical ventilation. And while residents pass through these spaces every day, they’re rarely places anyone wants to spend time in.

For some sites, it’s the right solution, but it’s far from the only way to plan apartments.

Designing for light, air and community

At Fieldwork, we often come back to a few apartment models that prioritise natural light, fresh air and shared life.

They’re all slightly different, but they start from the same idea: the spaces between apartments matter too.

Rather than treating circulation as leftover space, these buildings use it as an opportunity. Walkways become places for planting, bike storage, a quick chat with a neighbour or simply a more pleasant journey home.

These small moments might sound insignificant, but they’re often what makes a building feel like a community rather than a collection of front doors.

Here are a few different planning types we’ve been exploring.

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The breezeway apartment

The breezeway apartment replaces the enclosed internal corridor with an open-air walkway running along one side of the building. It’s a relatively simple move, but it changes the experience of the building dramatically.

Fresh air can move naturally through the circulation spaces, reducing the reliance on mechanical systems. Apartments are often able to open up on two sides, creating cross ventilation and helping homes stay comfortable throughout the year.

Just as importantly, residents arrive home through an outdoor space rather than a sealed hallway.

In warmer climates especially, breezeway buildings can feel more connected to their surroundings, blurring the line between inside and outside.

We’ve applied the breezeway at Gibson Street, Bowden and at 38 Albermarle Street, Kensington.

The doughnut block (or the central courtyard)

The doughnut block looks fairly ordinary from the street because all the impact is focused in the middle.

Apartments wrap around a shared central courtyard that brings daylight, greenery and fresh air into the heart of the building – a common approach in for centuries in dense European cities. Instead of every apartment relying solely on the street frontage, the courtyard creates another source of outlook and amenity.

These spaces often become the social centre of the building. A garden, somewhere for children to play, a place to sit with a coffee, or simply a patch of green visible from your kitchen window.

In denser urban areas, this shared space can make a surprisingly big difference to everyday life.

We used a doughnut shape plan at 121 Lygon Street, Brunswick East.

The U-shaped building

The U-shaped apartment building creates a large courtyard by wrapping homes around three sides of a site. The opening allows sunlight to reach further into the building and gives more apartments a view towards a central, open space.

Like the doughnut block, the courtyard acts as a communal outdoor room. It’s somewhere people can gather, relax and spend time without leaving the building.

For larger sites, it can be an effective way to balance higher density with a generous sense of space.

We’ve applied a U-shape plan at 2 St Georges Road, Fitzroy North.

The single-loaded apartment

Some of the most liveable apartment buildings emerge from the most awkward sites.

Single-loaded buildings place apartments on just one side of a circulation path, leaving the other side open for light, air or views. Because homes only occupy one side of the plan, the building itself can stay relatively narrow.

The slim profile is particularly useful on constrained or unconventional sites, but it also creates better living conditions. Daylight and natural ventilation can come into the apartment from both sides, often making rooms feel more generous than their footprint suggests.

It’s a simple idea, but often a very effective one. And one that we’ve designed at our Neerim Road, Murrumbeena project.

Looking beyond efficiency

The difference between a good apartment and a bad apartment layout can shape someone’s daily experience. Access to sunlight, fresh air, outdoor space and a sense of community affect how comfortable, healthy and enjoyable a home feels over time.

Apartment buildings are like their own small neighbourhoods. That’s why the spaces between apartments matter as much as the apartments themselves. The challenge isn’t simply fitting more homes onto a site, but finding ways to make apartment living something people actively choose, rather than settle for.

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Balconies and mesh screens at 2 St Georges Road give access to light, air and privacy
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A central, open-air atrium at 2 St Georges Road opens up the circulation zones

From circular ambition to practical delivery

From circular ambition to practical delivery

How do we begin creating buildings that actively contribute to healthier material cycles, ecosystems and communities?

 

This was the focus of a recent presentation by our Associate Director’s Tim Brooks and Bettina Robinson as part of the Australian Institute of Architects’ Member Lean In programme. Titled Delivering Circularity, Reuse and Regeneration in Practice, the session explored how regenerative thinking can be translated into practical project outcomes, drawing on lessons from our work with Master Builders Victoria and broader industry research into circular design and material reuse, including the pair’s Alastair Swayn International Research Grant.

Using the Master Builders Victoria workplace as a case study, Tim and Bettina shared how circular principles informed both the design and delivery process. Rather than starting with replacement, the project sought to identify opportunities to retain, adapt and reuse existing materials and assets wherever possible.

 

The result demonstrates how thoughtful design can extend the life of existing resources, reduce waste and create high-quality workplaces that respond to both environmental and organisational goals.

The discussion also addressed the realities of delivering regenerative outcomes. Circularity often requires navigating practical considerations including procurement pathways, contractor engagement, warranties, logistics and perceived risk. By sharing project insights, successes and challenges, the session highlighted the importance of collaboration across clients, consultants, suppliers and builders in achieving meaningful outcomes.

 

A key takeaway was that circularity is not a single intervention or specification choice, but rather a mindset that influences decisions throughout the project lifecycle. When embedded early and supported throughout delivery, circular thinking can become a practical and achievable part of everyday practice.

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(L-R) Bettina Robinson and Tim Brooks

Whether you’re interested in material reuse, workplace design, retrofit projects or regenerative practice, we invite you to watch the conversation and explore how circular thinking can be central to the projects we deliver every day.

65 Dover Street wins the Sir Osborn McCutcheon Award

65 Dover Street wins the Sir Osborn McCutcheon Award

65 Dover Street is awarded the Sir Osborn McCutcheon Award for Commercial Architecture at the 2026 Australian Institute of Architects Victorian Chapter Awards. The award recognises an ‘approach to commercial architecture that is both highly functional and deeply responsive to its context.’

 

The nine-storey building in Cremorne brings several fine-grain industrial sites together into one. Three indentations carved from a brick podium widen the footpath at street level, making room for new trees, seating and the entries to two hospitality tenancies. Lemon-scented gums grow straight from deep soil below, rather than from planters. Above, a glazed tower follows the same curves, drawing light to the back of each floor.

The masonry detailing wraps around to the secondary façades, and the external fire stairs at the rear carry bright red balustrades for the building’s eastern neighbours. The rooftop belongs to the people who work there – a half basketball court nods to anchor tenant Adidas, alongside space for working, gathering and exercise. The building was fully leased before it was finished, with Suupaa and Baker Bleu at ground level.

 

The jury citation reads:

“65 Dover by Fieldwork is an expertly conceived and delivered work of commercial architecture that fulfills its brief to deliver highly functional and flexible modern workspaces, whilst comprehensively improving its surroundings through an elegant and nuanced response to its context.

65 Dover St sets a new benchmark for commercial architecture of this scale – integrous, gracious and refined.”

 

Thanks to everyone in the Fieldwork team, past and present, who brought the project to life: Quino Holland, Tim Brooks, Sukhjit Kaur, Vlad Doudakliev, Andrew Richardson, Eoghan McCarthy, Raphael Graham, Bridget Lensen, Elina Luostarinen, Kara Kim, Nicola Leong, Lisa Garner and Monica Percudani.

Thank you to our client, Fortis, and the collaborators and consultants.

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We treated the back of the building with as much attention as the front.

Getting the ground floor right

Getting the ground floor right

Some of our favourite places to eat and drink around Melbourne – Baker Bleu, Iris the Bakery and Lagotto – all have one thing in common: they’re in a building that we designed.

 

Hospitality and retail can be fickle, but it can also bring exactly the right kind of liveliness to a neighbourhood. From rapidly revitalising pockets of Cremorne to the desirable laneways of Brunswick, many of our multi-residential and commercial buildings have some of Melbourne’s favourite hospitality spots at the ground floor.

While we didn’t design the fitouts at these popular hospitality spots, our work is focused on the shells around them and the way the ground floor meets the street. Of course, a good ground floor is only possible with clients who understand the market, invest in finding the right operators, and hold out for tenants who suit the building and the neighbourhood.

 

At 65 Dover Street, Cremorne – a project with FortisBaker Bleu, Suupaa and the Adidas concept store integrate with the street, where people gather and spill out. Suupaa’s award-winning interior by IF Architecture sets the backdrop to this Japanese Konbini and casual dining spot, where workers come to grab a quick bite. To create a spot to eat, the footpath has been widened, and the brick podium is carved into a series of scallops, which turns what was a narrow frontage into a civic forecourt with space for seating and bikes. Lemon-scented gums grow straight out of the ground, softening the edge between building and footpath.

 

A short walk away at 22 Gordon Street, a corner is sliced away from the building edge, which doubles as a space just off the footpath to linger and sit, while also doubling as the building’s entry. First Love Coffee café is tucked beneath the podium, interfacing with the street through a top-hinged casement window. A north-facing, planted garden bed and seating area bring greenery to the street. Working with our client Monno, the nine-storey commercial building unlocks what was a tricky site and these ground level moves are key to the design.

 

Bringing old-world hospitality to life, also just a short walk away, is Frederic and Fred’s, found at the base of 9-11 Cremorne Street for Cobild. While the commercial tower above features a modern mesh façade, the ground level embraces the heritage. Here, the original brick building was retained, and restored, giving a grand entrance to the restaurant and bar while maintaining the industrial charm of its context.

Over in Brunswick is 1 Wilson Avenue, a project in collaboration with Milieu and Neometro. The eight-level multi-residential development features a rear laneway and street frontage. To optimise the north-facing light to the apartments, and create a zone for hospitality, we pulled the building back from the boundary. This outdoor terrace allows patrons from the much-loved Iris Bakery to overflow and gather.

 

Another project with Milieu is 2 St Georges Road, Fitzroy North, which has Lagotto at the ground floor. The Italian restaurant and wine store has an interior designed by Flack Studio. Milieu truly understands the value of getting hospitality right and the whole concept of Lagotto is about neighbourliness and coming together over food. Integrated within the building, additional outdoor seating allows guests to enjoy an afternoon aperitivo catching the last rays of sun.

At one of our earlier projects, 122 Roseneath Street in Clifton Hill, the ground-floor retail was on our radar from the beginning, where generous setbacks at the base create an open undercover space to pass through and pause. Open House operates as a neighbourhood spot of conviviality. Serving coffee and food throughout the day, it transforms into a wine bar in the evening from Thursday to Saturday.

Victoria’s bio-regional materials are full of potential. Why do so few reach a building site?

Victoria’s bio-regional materials are full of potential. Why do so few reach a building site?

Associate Directors Tim Brooks and Bettina Robinson have been awarded the 2025 Alastair Swayn International Research Grant.

 

The grant is run by the Alastair Swayn Foundation and assessed competitively by an independent panel, supporting research that brings new knowledge and connections back to Australian architecture and design.

Tim and Bettina‘s proposal – Built from Here: Connecting Regional Resources to Low-Carbon Building Practice – is about mapping Victoria’s regional materials and manufacturing capacity. The project draws on international models to produce supply chain maps, material audits, and practical frameworks that can be used by Victorian practitioners working with local, low-carbon resources.

 

The research will trace the full chain that sits behind a building product: raw supply, aggregation, processing infrastructure, manufacturing systems, and the compliance pathways that decide whether a material reaches a site. Plenty of low-carbon and regenerative materials exist. Far fewer make it into projects as usable, compliant products.

Built from Here is about investigating where that chain breaks, and what it would take to close the gap locally in Victoria. The work is just getting underway. We’ll share more as the research develops.

 

The Alastair Swayn Foundation funds research that contributes to Australian architecture and design culture.

Adaptive reuse in focus at Melbourne Design Week

Adaptive reuse in focus at Melbourne Design Week

What do we do with the buildings we already have? Associate Director Tim Brooks took part in two events as part of Melbourne Design Week, tackling this exact question.

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A frank panel on adaptive reuse

Tim joined the Melbourne launch of Adapt! Designing New Lives for Old Buildings, a sold-out evening discussing how to give old buildings a second life. He shared the panel with the book’s authors Hannah Lewi and Cameron Logan, alongside Kerstin Thompson, Robert Crawford and Suzanne Zahra, and Prof. Rory Hyde moderating.

Our cities hold an enormous amount of carbon in their existing fabric, so keeping that fabric is now a sustainability question as much as a heritage one. The panel didn’t avoid the hard parts – the cost, the compromises, the technical headaches – but it made a clear case for reuse over demolition.

Adapt! Designing New Lives for Old Buildings is available now, online and in store.

A walking tour through Collingwood

The second event was a walking tour with EmAGN, the Australian Institute of Architects’ Emerging Architects and Graduates Network. The route moved through Collingwood and a set of adaptive reuse and cultural projects, then finished with a panel discussion. Tim was among those presenting along the way and contributed to the conversation.

Collingwood Yards was the final destination, rounding out the tour, and a useful example of what reuse can give back to a neighbourhood.

Our thanks to EmAGN Vic and Uro Publications, and the NGV as the initiator of design week.

395 Albert Street a finalist in three categories at the 2026 Urban Developer Awards

395 Albert Street a finalist in three categories at the 2026 Urban Developer Awards

LIV Albert is a finalist in three categories at this year’s The Urban Developer Awards for Industry Excellence – our project with Mirvac.

 

395 Albert Street – a build-to-rent multi-residential project with Mirvac – is shortlisted in not one, but three categories this year. Including for Excellence in Sustainability, Build-to-Rent and PBSA, and High-Density Residential (200+ Homes).

The overarching idea for this project was about being a good neighbour and creating strong links to the surrounding parks and green spaces.

Our thanks to Mirvac and everyone who worked on LIV Albert.

See all the shortlisted projects from this year’s Urban Developer Awards.

What could housing look like at the urban fringe? Sub-topia is calling for your ideas

What could housing look like at the urban fringe? Sub-topia is calling for your ideas

We’re proud to be a sponsor of Sub-topia: A clustered vision for living at the urban fringe, a new Ideas Competition for students and early-career practitioners that asks how greenfield development in Victoria could be done differently.

Convened by the Urban Design Forum with the Robin Boyd Foundation, Australian Institute of Landscape Architects (AILA) Victoria, VicHealth, Council Alliance for a Sustainable Built Environment (CASBE), National Growth Areas Alliance (NGAA) and The Municipal Association of Victoria (MAV), the competition centres on a regional town-edge site west of Melbourne, on Wadawurrung Country. The brief invites multidisciplinary teams to propose neighbourhood-scale alternatives to the default subdivision model – designs that support ecological repair, health and wellbeing, and community life at the urban fringe.

The initiative asks questions like: What does housing look like when Country is treated as a design driver, not a constraint? How do you build diversity of typology into a greenfield site from the outset? What changes when the unit of design is a cluster, a neighbourhood, a piece of landscape – rather than a single lot?

These are the kinds of questions we engage with across our own work, in housing, masterplanning and advisory. Sponsoring Sub-topia is a way of putting the same thinking into the hands of the next generation of practitioners and seeing where they take it.

With a prize pool of $15,000, the competition launches on Sunday 24 May at Robin Boyd’s Walsh Street house as part of Melbourne Design Week.

Registrations close 8 June, and submissions are due 12 July 2026.

Full details and updates via the Robin Boyd Foundation.

65 Dover Street shortlisted in the 2026 Victorian Architecture Awards

65 Dover Street shortlisted in the 2026 Victorian Architecture Awards

65 Dover Street, Cremorne, has been shortlisted in the Commercial Architecture category of the 2026 Victorian Architecture Awards, announced by the Australian Institute of Architects’ Victorian Chapter.

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The rooftop features a half basketball court and a demountable marquee that can be used for events during inclement weather.

 

Cremorne is a suburb mid-transition – a light-industrial past giving way to its emerging life as an innovation precinct – and that tension shaped our design for 65 Dover Street. Carved along its 65-metre street frontage, the brown brick podium reads as three scallops, breaking a single large floorplate back down to the fine-grain rhythm of the streets around it. The same curves carry up through the glass tower above, drawing daylight to the back of the floorplate and turning what would otherwise be a tight footpath edge into a civic forecourt. The design move allows room for landscaping, bikes, pedestrians and outdoor seating for two hospitality tenancies.

Inside, the planning is built around a worker’s day rather than a single arrival point. Each route in – on foot, by bike, by car – has its own choreographed sequence, with end-of-trip facilities including a sauna, a fully recycled-water carwash and a podcast studio. The rooftop is treated as a series of outdoor rooms: a half basketball court, yoga and Pilates space, varied seating with power and data, and a demountable pavilion that turns the court into a weather-protected events space.

The Commercial Architecture category includes nine shortlisted projects this year, with adaptive reuse featuring strongly across the broader 2026 program. State winners will be announced at the Victorian Architecture Awards on 19 June, with national entries to follow in November.

Thanks to the jury, the project team and to our client Fortis and collaborators.

A metre or two: 38 Albermarle St, Kensington featured in Never Too Small

A metre or two: 38 Albermarle St, Kensington featured in Never Too Small

Our 38 Albermarle Street project in Kensington is featured in Never Too Small magazine, in a feature story on apartment design – The Meaning of a Metre.

 

The piece unpacks how small measurements – a metre here, a few centimetres there – shape the way people live in apartments and move through cities. Drawing on Christopher Alexander’s A Pattern Language, the article includes a conversation with Rob Adams AM, alongside our director Quino Holland.

For 38 Albermarle, developed with Assemble, we replaced the typical double-loaded corridor with an open-air walkway that cuts through the building. The shift does two things at once: it brings cross-ventilation and daylight to every apartment, and it makes room for the kind of incidental contact that builds neighbourliness. Built-in bench seating, vertical lightwells, and a metre or two of private verandah at each front door give residents somewhere to pause, plant something, or stop and talk.

They’re small gestures, but ones we’re always adding to. As Quino puts it in the article, “I think the most important tool an architect can deploy is empathy. It’s about making sure that we’re not narrowing down people’s possibilities when they move into an apartment, but actually broadening them.”

Good apartment design isn’t necessarily about adding more – it’s about giving people the space to live fully, at any age and stage. As Quino notes, designed well, an apartment can hold a growing family, pets, friends and a life that changes over time.

 

You can read The Meaning of a Metre on the Never Too Small website, or pick up a copy of the magazine via the Never Too Small online store.

395 Albert Street a finalist in the Dulux Colour Awards

395 Albert Street a finalist in the Dulux Colour Awards

LIV Albert is a finalist in the Commercial and Multi-Residential Exterior category at the 2026 Dulux Colour Awards.

 

LIV Albert (395 Albert Street) is a build-to-rent development by Mirvac, surrounded on all sides by parkland.

The project’s design draws on Brunswick’s DNA – the Victorian-era red brick and post-war cream that define the local vernacular. Tones darken at the base to ground the buildings, lightening through the mid-levels to silver metal cladding at the top.
This year marks the awards’ 40th, with 94 finalists drawn from more than 540 entries across Australia and New Zealand.

The exterior category of the Dulux Colour Awards looks at how colour performs on the outside of a building – at the scale of the street, in changing light, over time.
Our thanks to Mirvac and everyone who worked on LIV Albert.

 

Read more about 395 Albert Street, Brunswick.

Flowe Bowden featured in ArchitectureAU

Flowe Bowden featured in ArchitectureAU

Our Flowe Bowden project was featured in ArchitectureAU – a mixed-use development in Bowden, on the north-western edge of the Adelaide CBD.

 

Designed for South Australian developer Otello, the 10-storey mass timber building will deliver more than 100 one-, two- and three-bedroom apartments, hospitality spaces, and a multi-level health and wellness centre with pilates, hot and cold pools, saunas and physical therapy facilities. The site sits opposite the award-winning Plant 4 Bowden market hall and frames the Bowden Village Reserve, with activated frontages on all three sides.

Rather than treating wellness as a ground-floor amenity, the design integrates it through the building’s full section — with generous breezeway corridors, cross-ventilated apartments with light on two sides, and full-width balconies. The expressed mass timber structure carries through from exterior to interior, with the timber shell contributing to both the building’s environmental performance and its spatial character.

Twenty percent of the yield is allocated to affordable housing through Home Seeker SA, exceeding the 15 percent planning requirement. Sixteen apartments will provide specialist disability accommodation. The project is targeting a 5-Star Green Star rating.

Construction is expected to begin mid-2026.

Read the full article at ArchitectureAU.

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